Upcoming Events

Date

21 May 2025
6.00pm–8.30pm

Background

The Best of the Best Designers Speak® series represents the highest calibre of design craft and provides the opportunity to kōrero - sharing knowledge that uplifts and connects our community.

Talking to the values - Whakamana Te Toi, Whakamana Te Tiriti, Whakamana Te Ao, Whakamana Te Tangata.

This event is brought to you by Resene

Speaker(s)

Designworks & Guardians

Great Journeys New Zealand - Mike Pepper, DINZ, Designworks; Anzac Tasker (Te Whānau-ā-Apanui, Ngāpuhi), FDINZ, Guardians. 

Presented with the challenge to enhance and continue a 150 year rail journey, Kiwirail made the bold move to invest in creating a premium rail experience in addition to its wider offering.

Curative

Protect Your Breath - Connect to Hā - Kaan Hiini (Te Arawa, Ngāpuhi, Te Rarawa, Pākehā) & Logan Bradley, Curative. 

A meditative visual podcast offering a moment to pause, connecting rangatahi to hā, te taiao and the atua.

Ira & Made by South

Celebrating a Uniquely Tainui Waka Kōrero - Johnson McKay (Ngāti Kahungunu, Tainui Waikato, Ngāti Porou) PDINZ, Ira; Vaughan Small, Made by South.

A cultural experience to help celebrate a uniquely Tainui Waka narrative about Matariki. 

TOA Architects

Whiti Ora - Craig Wilson & Kahurangi King (Ngāti Pikiao, Ngāti Ngāraranui), TOA Architects. 

Starship Foundation were bequeathed a gift to fund a new research centre to accelerate world-class health for all tamariki in Aotearoa.

RUN & Māori Kiwifruit Growers Incorporated

Māori Kiwifruit Growers Brand Identity - Raymond Otene McKay (Ngaati Mahuta, Ngāti Rongomaiwahine, Ngāti Porou, Ngāti Pūkeko) & Ariana Stone (Ngāti Kahungunu ki Te Wairoa), RUN; Amy Tocker & Anaru Timutimu, Māori Kiwifruit Growers Incorporated

The Māori Kiwifruit Growers’ story began with a karanga, in September 2016, to establish a national body to represent all Māori kiwifruit growers across Aotearoa. An entity created by Māori, for Māori.

Boffa Miskell

Hāngī Pits and Kai Space at Whānau Ātea - Aynsley Cisaria & Zak Kelland, Boffa Miskell. 

The return of cooking and sharing of kai to the whenua, as part of the living connection between past and present, between the Maunga and the people, an expression of whakapapa, and a restoration of customary practices and knowledge.

Locales

He Ara Kotahi, Hei Ara Kōrero - Chris Hay, DINZ, Locales. 

An innovative storytelling trail exploring the histories of six significant sites along the Manawatū River.

Date

28 May 2025
5.30pm–7.30pm

Background

Open Studio™ -  Keeping it Local is a sneak peek into Dunedin Ōtepoti studios who will open their doors to the design community.

A unique opportunity to have a look into some of New Zealand's best studios and see what goes on behind closed doors.

Inviting you in to have a nosey and maybe an insight or two, where you can relax, sip a drink and share some stories. 

*Everyone will be given a flyer that includes a map with the location of each studio.

Date

29 May 2025
5.30pm

Background

Open Studio™ provides a unique opportunity to have a look into some of New Zealand's best studios and see what goes on behind closed doors, to have a nosey and maybe an insight or two, where you can relax, sip a drink and share some stories.

Open Studio™ speaks to our values of connecting, building new relationships as well as seeing old friends (Whakamana Te Tiriti - Fostering Healthy Relationships).

In-house designer, designer-maker, inventor, designer-artist, product designer, furniture designer, design engineer, graduate, consultant, freelancer... However you categorise yourself it is always great to get together and chat about our industry, business and craft.

Clark Bardsley is opening his studio for another Industrial Design Gathering.

Thursday 29th May from 5.30pm
9a Kirk Street, Grey Lynn (near the Audi building)

Date

4 June 2025
6.00pm–8.00pm

Background

The Best of the Best Designers Speak® series represent the highest calibre of design craft and provides the opportunity to kōrero - sharing knowledge that uplifts and connects our community.

Talking to the values - Whakamana Te Toi, Whakamana Te Tiriti, Whakamana Te Ao, Whakamana Te Tangata.

This event is brought to you by Resene

Speaker(s)

TASKA Prosthetics

CX Myoelectric Prosthetic Hand - David Lovegrove, PDINZ, TASKA Prosthetics. 

Since its launch in early 2023 the TASKA CX Hand has established itself globally as the market leading premium prosthetic hand.

Vivid Origin

Mindfull Spaces - Jesse Keith, PDINZ, Vivid Origin.

Helping neurodiverse students self-regulate in the classroom with furniture that supports sensory, social and sanctuary needs.

DDB Group Aotearoa

VW Greenprint - Dean Pomfrett, PDINZ, DDB Group.

The Greenprint is an open source set of plans to turn the Volkswagen Kombi into an EV, that anyone can follow. 

Goodnature

Goodnature Mouse Trap: The Clever Killer - Craig Bond, Goodnature. 

Goodnature Mouse Trap outsmarts and outlasts every mouse it meets, keeping homes mouse-free for years without toxins or snapped fingers.

Caroma

Caroma Contura Collection - Andy Grigor & Johann Karunaratne, Caroma Design & Innovation Team.

The Caroma Contura Collection is a complete suite of premium bathroom products that combine innovative materials, processes and finishes with a considered design language to deliver a sustainable and distinctive bathroom experience.

City

Wellington

Date

11 June 2025
5.45pm–8.30pm

Background

The Best of the Best Designers Speak® series represents the highest calibre of design craft and provides the opportunity to kōrero - sharing knowledge that uplifts and connects our community.

Talking to the values - Whakamana Te Toi, Whakamana Te Tiriti, Whakamana Te Ao, Whakamana Te Tangata.

This event is brought to you by Resene

Speaker(s)

Warren and Mahoney Architects & Space Studio

Purple Pin - Hospitality

Te Arikinui Pullman Hotel - Jonathan Hewlett, Warren and Mahoney Architects & Vee Kessner, FDINZ, Space Studio

Te Arikinui exemplifies the fusion of indigenous culture and architectural design. A partnership between Tainui, the original guardians of the land, and Auckland Airport aimed to create a destination reflecting the unique cultural significance of the location. 

Designworks & Guardians

Gold Pin - Large Brand/Toitanga

Ōtākou Whakaihu Waka - Mike Pepper, DINZ, Designworks; Anzac Tasker, FDINZ, Guardians.

Tuakiritaka. Restoring pride in identity, and pride in Ōtākou as a place of many firsts.

Alongside mana whenua and The University of Otago, Designworks set out to co-design an identity and brand that would speak to the present, be sensitive to and honour the true past, and provide clear momentum to navigate a path into the future.

DDMMYY & Klim Type Foundry

Gold Pin - Design Craft Typography

American Grotesk - Kelvin Soh, FDINZ, DDMMYY; Kris Sowersby, FDINZ, Klim Type Foundry.

A campaign for the launch of American Grotesk®, a reprisal of Franklin Gothic, which has staked its place as a key part of American graphic vernacular history, notably in persuasive communication.

Like Bollywood in relation to Hollywood, this is an America seen from a non-American perspective, an outsider's cocktail of cultural deconstruction and satire — commentary and comedy — inspired by Colors magazine, Adbusters and S.N.L.

Designgroup Stapleton Elliott & Wayfinder Landscape Planning and Strategy

Gold Pin - Public, Private & Institutional Spaces

Waiaroha - Heretaunga Water Discovery Centre - Alex Heperi, Designgroup Stapleton Elliot; Shannon Bray, Wayfinder Landscape Planning and Strategy. 

In the heart of Hastings, Waiaroha invites you to discover the wonder of water in a sustainable green space built around a state-of-the art drinking water treatment plant that pulls wai from an underground aquifer.

Date

12 June 2025
5.30pm–8.00pm

Background

The Best of the Best Designers Speak® series represents the highest calibre of design craft and provides the opportunity to kōrero - sharing knowledge that uplifts and connects our community.

Talking to the values - Whakamana Te Toi, Whakamana Te Tiriti, Whakamana Te Ao, Whakamana Te Tangata.

This event is brought to you by Resene

Speaker(s)

Designworks & Guardians

Gold Pin - Large Brand/Toitanga

Ōtākou Whakaihu Waka - Mike Pepper, DINZ, Designworks; Anzac Tasker, FDINZ, Guardians.

Tuakiritaka. Restoring pride in identity, and pride in Ōtākou as a place of many firsts.

Alongside mana whenua and The University of Otago, Designworks set out to co-design an identity and brand that would speak to the present, be sensitive to and honour the true past, and provide clear momentum to navigate a path into the future.

DDMMYY & Klim Type Foundry

Gold Pin - Design Communications & Design Craft Typography

American Grotesk - Kelvin Soh, FDINZ, DDMMYY; Kris Sowersby, FDINZ, Klim Type Foundry.

A campaign for the launch of American Grotesk®, a reprisal of Franklin Gothic, which has staked its place as a key part of American graphic vernacular history, notably in persuasive communication.

Like Bollywood in relation to Hollywood, this is an America seen from a non-American perspective, an outsider's cocktail of cultural deconstruction and satire — commentary and comedy — inspired by Colors magazine, Adbusters and S.N.L.

TASKA Prosthetics

Purple Pin - Consumer

CX Myoelectric Prosthetic Hand - David Lovegrove, PDINZ, TASKA Prosthetics. 

Since its launch in early 2023 the TASKA CX Hand has established itself globally as the market leading premium prosthetic hand.

Klein Architects

Gold Pin - Mental Health Services

Hillmorton Specialist Mental Health Services 

Two stunning new buildings now house Hillmorton’s specialist mental health services, supporting recovery of NZ’s most vulnerable community.

Date

25 June 2025
6.00pm–7.30pm

Background

New Zealand designers taking on the world.
Good design transcends barriers and many New Zealand designers have made the brave and uncertain move onto a global stage. 

International exposure can be life-changing; a chance to develop a career, undertake a personal journey and develop a wider, global perspective.

What drives these inquisitive and ambitious creative talents?

Speaker(s)

Luke Scott FDINZ

Design in the Wild with Luke Scott
In this ever-changing world, designers are uniquely placed to bring about the future we want to see. Our job is often to stand in the void between the known and the unknown. But how do we navigate this abyss? What are the tools we need to be comfortable in ambiguity? 

Working at the intersection of brand and product Luke combines systems thinking and user centered design with craft and storytelling to create unique experiences that drive positive impact for people and planet.

Reflecting on how designers are so well placed to thrive in this amorphous world and how it’s our job to not just prototype the future but to lead others towards it

Luke Scott is the Head of Design at AI recipe start up: Clove and has over a decade of experience designing brands, products and digital experiences.

Previously at Alt Group and fresh back home from a stint in London, working with studios like How&How and Koto, Luke will share learnings and musing on designing in the wild. Reflecting on how designers are so well placed to thrive in this amorphous world and how it’s.ur job to not just prototype the future but to lead others towards it.

At No Borders, they return home to share what they have learned.

No Borders is the stories of those New Zealand designers who've stepped out into the world and are making it work.

View All Events

Best Week®

Years

2013 — Present

The lead up to our most prestigious night of the year is the ideal time to bring the design community together to reflect and connect. During Best Week we hold a series of events that build towards the industry's big night out at the Best Design Awards.

2024

2023

2022

2021

2020

2019

2018

2017

2015

2014

2013

DINZ Student Council Designers Speak® & Folio Nights

Years

2017 — Present

Every designer’s career journey contains valuable lessons for students looking to their own futures. Our Student Council interview leading New Zealand designers and gain valuable insights into how they got to where they are.

DINZ Student Council organise Designers to present on their journey after leaving design school. These events are part of our Designers Speak® brand and held in the school studios. 

The Student Council invite a studio to particpate in Folio Nights where Designers are connected with students and give advise on their folios as they move into their graduating year. 

2025

2024

2023

2022

2021

2020

2018

2017

Design in Business

Years

2014 — Present

2024

2023

2022

2015

2014

Designers Speak®

Years

2011 — Present

The more we talk about design in New Zealand, the more robust the conversation becomes. Our Designers Speak events give our members the chance to hear top designers sharing insights into their work.

2025

2024

2023

2022

2021

2020

2019

2018

2017

2016

2015

2014

2011

Designers Speak® Across the Ditch

Years

2015 — Present

Great design can flow both ways across the ditch. This event encourages that trans-Tasman design dialogue, and is a collaboration between the Australian Graphic Design Association (AGDA) and DINZ.

2023

2019

2018

2017

2016

2015

Folio Night

Years

2015 — Present

Supported by design schools and studios, Folio Night is an initiative from the DINZ Student Council. Each event is a prestigious opportunity for nominated students to present their work for discussion and critique.

2023

2022

2021

2020

2018

2017

2016

2015

No Borders

Years

2015 — Present

Good design can transcend geography’s barriers. And many inquisitive and ambitious New Zealand designers have made the brave and uncertain move of shifting overseas. At No Borders, they return home to share what they have learned.

2018

2017

2015

Open Studio™

Years

2015 — Present

We all have a natural curiosity about the spaces in which designers create. Open Studio offers a rare opportunity to enter these private worlds, and see the inner workings of some of New Zealand's best studios.

2025

2024

2023

2022

2021

2020

2019

2018

2017

2016

2015

Pixel to Product

Years

2016 — Present

With digital technology, design is in a state of constant change. This event series gives designers a forum to discuss how this impacts on their innovation process; how they push ideas from the abstract into the real; and on how quickly they bring products to market.

2016

The Form Forum®

Years

2013 — Present

This series of informal events is primarily a forum for spatial designers to meet and share insights. A broad range of relevant topics are presented and discussed including useful tools and tips, the latest design trends and best industry practice.

2023

2022

2019

2018

2017

2016

2015

2014

2013

The Graphics Forum

Years

2016 — Present

This series of informal events is primarily a forum for graphic designers to meet and share insights. A broad range of relevant topics are presented and discussed including useful tools and tips, the latest design trends and best industry practice.

2025

2024

2023

2017

2016

The Product Forum

Years

2014 — Present

This series of informal events is primarily a forum for product designers to meet and share insights. A broad range of relevant topics are presented and discussed including useful tools and tips, the latest design trends and best industry practice.

2025

2024

2017

2016

2015

2014

Other

2024

2022

2021

2020

2019

2015

2014

2013

DINZ Video Series

Initiatives

Videos

The more we talk about design, the more robust the conversation becomes.

DINZ events give access to designers at the top of their game as they share their knowledge and insights. 

The audiovisual recordings from some of these gatherings can be found under this Video category and are archived there as a reference resource to Aotearoa’s rich design history.

2025

2024

2023

2022

2021

To The Floor 2023 - Wellbeing

Competitions

Competition

Winner Announced

Congratulations to Arnya Karaitiana

Arnya Karaitiana
"It’s still sinking in to be honest. To be selected alongside such exceptionally talented and creative minds is a truly humbling experience. Ngā mihi maioha ki a koutou katoa…a big thanks to everyone involved. What’s even more rewarding for me is seeing the presence of Te Ao Māori and Te Reo Māori within the other entries shared (shortlisted). Insights, concepts, designs all celebrating our unique cultural heritage and inspiring our peoples wellbeing. I’m truly thankful to be able to journey through this space with so many other like-minded people. 

For me, my concept is a reflection of my Te Reo journey thus far, gathering stories of my whakapapa, a growing collection of thoughts and an appreciation of living here in Aotearoa.

I look forward to sharing part of who I am and taking a piece of Aotearoa to the world. E rere ana te mihi nunui koutou. Mauri ora."

Shaneel Deo, Managing Director, Milliken (Australia) Pty Ltd
The “To the Floor” competition is an avenue for Milliken to support the design community in New Zealand and we are delighted with the response and quality of submissions this year.

We at Milliken would like to congratulate Arnya Karaitiana on winning the competition and look forward to collaborating with Arnya to showcase her designs to the world.

Arnya will work with Milliken's creative director, James Mfula, to develop a commercial carpet tile collection that will be manufactured and sold globally earning the winner 3% on sales.

For me Whānau is a unique understanding of self and identity first and foremost. That understanding then extends and connects to others close to you, those of whom give you a sense of belonging, who you share life with, who create space and a place for you in their lives.

Our immediate families, our friends, communities, our generational histories, our bloodlines, our whenua - Whānau defines all the above.

To be balanced in one’s self, one must be familiar with one’s identity. Knowing who you are informs optimum physical, mental and spiritual wellness. 

A metaphor for Whānau in Te Ao Māori is the Pā Harakeke (flax bush). A generational model with multiple layers of support. At the centre of the Pā (bush), is the ‘Rito' the centre shoot, likened to a child.

The two flax blades immediately either side of the 'Rito' are its parents or 'Awhi Rito'. The outer shoots are the 'Tīpuna' or grandparents, strong and sturdy they offer a level of safety and protection for the inner more juvenile flax leaves.

I created a series of brushes using Harakeke, extracted the muka fibres within and trimmed the ends to achieve different brush strokes and marks with ink.

There were 3 main aspects of the Harakeke plant that I observed and using my brushes I explored these visually.

The outcomes reveal interesting line works mimicking the nature form, anatomy and personality of Harakeke, a true taonga (precious object) from this part of the world.

Strong lines appear at long lengths and many strands gather tightly together, woven intermittently. I explored these observations with all of my brushes - creating multiple thin lines expresses direction and length while the darker thicker lines/areas give depth of field.

Overall I wanted to achieve a sense of connection, strength and resilience that represents a strong whānau foundation, while sincerely acknowledging the many generations (multiple lines) past and those beyond us.

I aimed to create a pattern using only one of my harakeke brushes, trying to maintain a similar line weight throughout. Here the horizontal lines represent the generations before and the generations beyond us and the lines that join these keep them connected.

Those connections are our history and hold information of our identity. 

Those connections represent well-being.

While looking into the natural form of the Pā Harakeke plant and the details of its anatomy, something about its personality was interesting.

I wanted to explore the way it moves how the flax bends and folds, how the leaves can crease and hold and how the material behaves when traditionally weaved together.

I applied a pattern to it also to achieve a sense of control. For me this achieves an interesting balance.

Whānau and Whakapapa - our heritage is of great importance to me personally and has a big influence on my well-being. 

- Arnya Karaitiana

Pictured left to right: Amy Tasker, Asha Page DINZ, Jef Wong FDINZ, Erini Compton PDINZ, Kelvin Soh FDINZ

In the competition To The Floor – Well-being, we  looked for designs that embraced a blend of positive interconnectedness that enriched people’s lives physically, psychologically, socially, and ecologically.

To The Floor – Well-being provided the opportunity for entrants to create a design inspired by how well-being felt to each individual.

Thank you to everyone who entered, it was an impressive body of work that the judges enjoyed pouring through. 

SHORTLIST 2023

CONGRATULATIONS to our shortlist.

Alice Murray

This brief really spoke to me at this junction in my life. I have recently become a mother, a huge shift in my lifestyle and priorities, where for the last year most of what I have done is for someone else. When I have the opportunity to have some time for myself, I find myself needing to reflect, and learn who I am in this new role where many parts of my old self have been lost. It brings me back to discovering what well-being feels like for me.

Well-being for me is feeling grounded physically, mentally, emotionally. The place I feel this is the ocean. Where the water meets the sand, the ebb and flow, a yin and yang that has an ever adapting rhythm.

I wanted to explore this visually - and express yin and yang through dark and light, complex vs simple. Through photography and interpretation of the image I have created a series of explorations that explore the connection of water to earth.

Christine Park - Sing A Song

Whether we notice it or not, we are exposed to a variety of spectrum of colours. Supermarket - Colourful fruits, lollies, vegetables, soft drinks etc. Streetlights, Neon signs, Clothing store, weather, sky, people.

We co-exist with people from different cultural backgrounds, different life experiences, different characteristics and so on.

This is what makes our life interesting! We cannot live this life on our own but we live with other people in harmony. We talk to each other, and share our stories, at work we work collaboratively with different types of people in different fields of expertise. We share our culture and hobbies and we play sports together. We are not alone. We are here for each other and we courage to love one another.

We laugh together we cry together, we help each other and we care for one another. This I find is another way of being well. Well-being. That we don’t exist on our own but together in harmony and balance.

The designed pattern and colour palette are inspired by diversity and individual personalities. Everyone has their own unique individual characteristics and we appreciate each other. We live in harmony, and we collaborate all the time whether we notice it or not.

Janae Van Panahon & Dorita Hannah - RARANGA Woven Grounds

In our interior environments, the carpet is a woven ground, tenuously connecting us to whenua below, with which we are in danger of losing a meaningful relationship. Yet, if wellbeing is predicated on the need for integrated natural, social and cultural environments, how can the carpet be designed to acknowledge woven ground as rich, diverse and sustaining?

Wellbeing is to-be-well, especially together: emphasizing interconnection among people as well as between them and this fragile planet, which requires equitable access to quality surroundings. This includes the built environment, which should welcome, host and enable the public through design sensitivity that interweaves people, place and material. As a form, the carpet is an inherently woven ground — literally and metaphorically — drawing spatial threads together and holding space through its sensory layered surface.

In Te Reo Māori, as in English, ‘RARANGA/weaving’ is both an action and an artefact… a doing and the thing done. Weaving is an important aspect of Pacific cultural life and whenua itself could be seen as an interweave of elements — earth, plants, animals insects and humans. Unlike European humanism, an indigenous worldview doesn’t separate human and non-human, nature and culture.

As an act of weaving, Raranga is seen by many as an active tool, helping us make sense of the material world, which is both natural and constructed. It could be thought of as a sensory, sensible and sensational tool… primarily appealing to touch as a sensation: a pleasurable mode of feeling that helps us know and be in the world. Drawing on the French philosopher, Jacques Rancière, this relates to ‘distribution of the sensible’ as a politics of aesthetics where a well-designed sensory world should be available to all.

RARANGA proposes a fluid interweaving abstract pattern, in which the carpet pile varies in length. This variation is not only seen by the eye, but is also sensed by the bare foot, tactile hand and even through clothing or the soles of our socks. It invites us to remove our shoes and engage bodily with touch as well as through the haptic eye. The ground is not a smooth frictionless surface but a natural landscape of valleys and ridges as well as a constructed urbanscape of networks and roadways. This interweaving of culture and nature emphasises our lived world as neither one thing nor another. Pops of colour remind us that the woven ground is not homogenous but accented and interesting.

RARANGA invites us to weave with our eyes and with our bodies. It encourages children to trace the territory with their toys and stimulates our imaginations to get lost in a spatial labyrinth.

Emphasising collectivity, RARANGA evokes the natural through texture, pattern and colour, accentuates the social by interweaving the tactile ground with people and things, and draws on the cultural to emphasise that the world itself is a co-constructed and diverse interweave.

Kate Pilot & Natalia Glucina -
Mountainscape - Play

If we can make time to explore creatively we can regulate our emotional state through powerful experiences. To gain balance and calm we need energy, we need play. It loosens the space in our minds otherwise consumed by all our thoughts and the to-dos. Mountainscape embeds play into our spatial environment.

What we understand of Well-being

Well-being is complex. It connects to all aspects of our lives and varies from one to another. We see well-being as something that is a constant pursuit, achieved by stimulating the balance of body and mind. More often this theme is associated with slowing down, out breaths and quiet meditations. Because of this we wanted to explore a contrasting, vibrant and higher energy. And to consider how this lifts moods and makes us smile to create a positive environment. We looked to 'PLAY'.

'PLAY' is typically reserved for children but is also important in adulthood. It's what makes us happy, helps us learn and stimulates parts of the brain otherwise inactivated. Singing loudly, dancing wildly or witnessing the power of mother nature and our insignificance within her mass. If we make time to explore creatively we can regulate our emotional state through powerful experiences.

Nature is also a key influencer of balance and well-being. Within nature's ecosystem, we find lots of textures, colours and movement. High contrast, low contrast, light and dark interplay, there are many shapes and forms within each element. You can view it broadly or focus in on the details, there are so many layers of texture to create such richness. All of these are stimuli for the mind and create a sense of calm and comfort as well as creating aspiring positive feelings that are an integral part of wellbeing. It would be boring to live in a constant state of calm. It is the high energy and low energy phases that allow us to appreciate the other and find connection in each.

As work consumes a significant number of hours in our week, it makes sense this experience impacts our over-all well-being. We wondered how we could visually embed 'PLAY' into our daily life. How could it impart its energy to those it surrounds? Nature, art, movement, colour and texture all express and evoke a mood in us. We combine these to create a more positive environment and ultimately alleviate stress, create greater engagement and better experiences. Essentially improving one's quality of life.

Lauren Gibbs - Pattern In Hand

What evokes a sense of positive wellbeing for you may sit slightly similar or completely different to what does for me. It is this difference that I find most wonderful.

As a creative it is the movement & inquisitive activation of my very own hands in the process of hand craft that allows for a positive sense of well-being to manifest within. Having the mind constantly turned on as we exist in a world so full of noise and demand, to sit and create with the hands offers an opportunity to be transported outside of this, offline.

Our hands exist as valuable tools used daily, allowing us to carry out practical tasks. They allow us to connect outwards into the world around us, aiding in our understanding of surface, mechanics, temperature and depth. Through our hands we learn, we explore. The specific occurrence of TOUCH that so seamlessly exists on mass within our days for me is where my minds is its most content, with my curiosity so wondrously engaged and my own well-being flourishing because of this.

Touch connected back to the concept/act of making is where I find most comfort and internal serenity. My ability to with my hands manipulate material, imprinting or controlling surface breeds a sense of wonder within as my mind focuses in on the sensory moment of touch playing out in front of me at my very own finger tips. The neurological stimulation that touch and hand making offers me calms any noise of life that may exist close. As my hands push into surface, or simply rest upon it, a heightened sense of awareness and appreciation prevails, slowing time, manifesting a sense of ease.

My entry exists as an explorative play in an attempt to capture the method in which I believe my well-being flourishes, as my hands engage with surface. The resulting visuals become frozen moments, or memories of touch - moments where I felt most at ease, in the middle of a creative process or physical creative action.

Rebecca Wyborn & Marnia De Sousa - MĀRA

Māra’s commitment to promoting wellness through biophilic design and native New Zealand flora, is a testament to the importance of our connection to nature for our health and wellbeing. As we seek to achieve optimal physical, mental, spiritual, and social health, it is essential to recognize the role that our relationship with the natural world plays in achieving these goals.

To further strengthen our connection to nature, we must come back to our roots and embrace traditional ways of healing. This includes reconnecting with the land, living with flora, and incorporating the healing properties of native plant species into our daily lives. Māra’s carpet designs serve as a tool to re-establish this connection and promote a boundless relationship with nature.

Research was conducted on the health benefits of different plant species, which informed the selection and integration of specific flora into the designs, promoting healing from the inside out. For example, Manuka flowers are known to strengthen our immunity and reduce anxiety, while Harakeke calms and soothes inflammation. Kawakawa helps with respiratory health and gastrointestinal issues, while Horopito supports circulation and can be used as a form of pain relief. Finally, Pōhutukawa’s have been used topically to heal wounds and abrasions, demonstrating the powerful healing properties of New Zealand flora.

Māra has been inspired by the colour palette of native flora, drawing from the hues of Manuka, Harakeke, Kawakawa, Horopito and Pōhutukawa. These colours have a powerful effect on our mood and energy, fostering a sense of connection and renewal. In Māori culture, red symbolizes the forest and is the colour of the earth from which all living things emerged.

Incorporating these principles into our designs required a fusion of hand sketching, Photoshop, and Illustrator to work with images of flora. The result is a collection of designs that draws inspiration from the hues and patterns of native flora from Aotearoa’s landscape and incorporates the unique health properties of these plant species.

By embracing biophilic design and the healing properties of native flora, Māra strives to create interior spaces that promote hauora (health) and foster a sense of connectedness with nature and others. As we continue to prioritize wellness and pursue optimal health, it is essential to recognize the role that nature plays in achieving these goals and to incorporate these principles into our daily lives.

Olivia Collinson - Sky Palette

Sunrise: A colour crush, a warning, a changing light, an ethereal glow, a moment of still, a wakeup call.

The clouds: bunched and tethered, coarse and overlapping, thick and voluminous, stretched out like tea leaves; a portents of the day.

The sky: endless, ranging, celestial. Close and soft and heavy.

We look up to take a reading of the world, and of ourselves. We’re changing with it, moving with it, in opposition to it. The sky is the palette of our lives.

I woke up early as the light was rising through the blinds. I pulled open the window, threw my face to the wind, and my eyes to the sky. Pinks and reds and blues and purples burned across shaggy clouds. This simple gesture of looking up and out inspired a moment of awe, of calm, and of reflection.

Sky Palette draws from the hues of sunrise; using washes of pinks, reds, oranges, blues to conjure up the changing morning sky. Initially, bodies of colour were applied to paper. Tearing up the paper into long strips created a soft, white cloud-like edge. These strips were overlaid, placed back to front and in mixed up combinations, to mimic the changing light and cloud formations of dawn.

Silvia Kostandini - Seaside Moments

The proposed SEASIDE MOMENTS design series develops as a narrative of the different interactions experienced at the beach. Different elements of the seaside landscape inspire the design proposal to offer a sense of well-being. Since moving to Auckland from Italy a few years ago, I have found that the beach environment has the power to nurture a sense of grounding and peace. A place to calm your thoughts, connect with the surrounding elements, and exercise. During my own experience of the beach, I have found inspiration from the way the water comes into the landscape, the sounds of the ocean, and the scents of the sea. The interaction between water and land becomes the materials and textures that the series draws from.

The idea developed as a series of designs that recall the memory of a walk along the beach. The three drawings act as a story of walking on the sand, through the rocks and submerging in the water. Each of the works has an atmosphere of its own, but they all work alongside to shape new sensations and memories. The marine landscape connects us with many different feelings, experienced differently from one person to the other, but all promoting a sense of positive energy and shaping a relaxing image in people’s minds.
The composition of each design is inspired by the materials and textures found at the beach. With a biophilic design approach, the drawings recall the natural elements as abstract compositions. Creating a visual connection between the natural elements of water & earth and the viewer. The repetition and freeform of the textures recall the organic nature of the beach and become new grounds to walk on.

That sense of calm and grounding is further developed by the use of colours in each of the designs. The shades and tints enable the drawings to acquire new sensations, emotions, and memories.

ROCKS reflects on the stones that inhabit the beach, where water and rocks layer to create the image of a coastline. The choice to incorporate blues aims to promote a sense of calmness and serenity.

SAND is informed by the memory of a walk along a sandy beach, the neutral tones offer a grounding sensibility where people feel a connection with the ground they walk on.

SUNSET WATER is a reflection of the unbound and peaceful nature of water. The choice to use colours that recall the sunset is a way to reflect the nurturing and harmonious feelings of this calming image.

The SEASIDE MOMENTS collection is an invitation to find a sense of well-being through memories of calming, grounding, and peaceful moments.

Rachel Wegrzyn

I am proposing a mesmerizing rug design that goes beyond mere aesthetics, for it is an artwork that encapsulates the essence of craft, well-being, and mindfulness. Drawing inspiration from the Rorschach inkblot tests, the rug’s composition is a rendition of an original ink print from a collection of works I have produced.

The Rorschach test, a quintessential tool to understand one’s psyche, employs a series of inkblots to gauge personality and emotional health. In the rug’s abstract inkblot pattern, one finds a visual symphony that beckons the viewer to delve deep into the realms of introspection and reflection.

It is imagined that the rug’s woven composition is a collation of varying textures and natural fibres, with the intricacy of its pattern evoking a sense of awe-inspiring artistry. In its neutral hues, one finds a timeless sophistication that blends effortlessly with any decor. It is a refined and sculptural artwork that will inspire intimate discussion centred around one’s personal psyche.

The proposed rug is a statement of beauty and introspection, an exquisite amalgamation of art and function that imbues a space with a serene ambiance. Its abstract Rorschach pattern is a stirring invitation to contemplate, to journey within, and emerge anew. Whether as an accent to a room or a gateway to mindfulness, this rug will leave an indelible mark within any space.