City
Auckland
The Best Design Awards are a major feature of the local design calendar and some of last year's winners are touring the country to offer first-hand insights into their projects.
This event is brought to you by Resene
Chris Bisman
Lightly
Lightly is a beautiful, comfortable chair designed to enrich our increasingly multifunctional spaces. Lightly is super lightweight making it a joy to move from activity to activity and space to space. Light weight and efficient stacking mean These chairs can be easily stored, ready for its next outing.
Lightly uses the minimal amount of material to deliver an incredibly strong and durable chair with the lightest touch on the environment, being made from both renewably sourced and recycled material.
Phil Walters DINZ
METALBIRD/MOA HOLDINGS
Design thinking has shaped Metalbird structurally and philosophically, from their origins as a recreational art project, to their present status as a successful global enterprise. Though the statistics around start-up failure are super high, they have used their industrial ‘design thinking’ heritage and worked everything through from the distribution design, product design, right on to the evolution of the business model. It's all designed to solve problems in new and innovative ways that are creating real commercial outcomes and driving a significant business that still manages to retain the craft and character of a much smaller craft business run out of a garage.
Arron Judson, Oliver Sealy
Ghost Cup
As the world continues to hurtle toward ecological disaster, consumers are taking stock of the waste they make and demanding less single-use plastics. A prime example of this is the 300 million disposable coffee cups used in New Zealand each year. Until recently, all of these cups have contained a plastic lining making them difficult to compost and impossible to recycle. As a result, it is estimated that 97.5 percent of coffee cups in New Zealand end up in landfills, or worse, as litter releasing microplastics into our environment.
No Trace Waste is packaging designed to disappear. We are pioneering truly home compostable solutions that use a waterbased dispersion coating. They look, feel and act just like a regular disposable cup but will break down naturally in almost any environment.
Arnya Karaitiana DINZ
Te Kākahu Hou
The graduation gown currently worn in New Zealand, and all over the world, is a symbol of education bound in history and tradition that dates back to over 900 years ago. The education world has evolved a lot since then – but what we wear to celebrate our educational achievements hasn’t caught up.
In a world first, Education New Zealand Manapou ki te Ao has brought tradition, innovation, and indigenous culture together to create Te Kākahu Hou – a new graduation gown.
Through a collaborative kaupapa between a design team lead by Kiri Nathan, members of our education community, and students from Whitecliffe School of Fashion & Sustainability, Te Kākahu Hou is a symbol of what sets the New Zealand education experience apart from every other education offering in the world.
Massey University College of Creative Arts
Comfi – A Postoperative Bra for Breast Cancer Rehabilitation
Comfi is a postoperative bra designed to offer improved aftercare by prioritising comfort and a positive experience. Comfi reduces unnecessary trauma by accommodating each breast separately, with adjustable compression inserts targeted only to required areas.
In 2016, my godmother had a breast cancer procedure. The area she found most challenging to deal with throughout her entire breast cancer journey was recovery. In particular, wearing her “ugly and uncomfortable” postoperative bra for a year after her procedure made her feel “terrible”.
Although one in nine women have breast cancer removal procedures, current rehabilitation products remain overlooked and outdated, with designs that aren’t adaptable to patients’ changing needs and unable to help them manage the long-term side effects of their treatment. This design aims to improve quality of life and promote positive health outcomes.
The Best Design Awards are a major feature of the local design calendar and some of last year's winners are touring the country to offer first-hand insights into their projects.
This event is brought to you by Resene
Johnson Witehira & James Prier
Paku Gardening Tools
While playing with his son at Kohanga Reo, Johnson noticed something that bothered him. None of the tools the kids were playing with - trowels, small shovels and forks - connected to his culture or Aotearoa. Johnson mentioned this observation to his friend and fellow designer James Prier. James showed up at Johnson's doorstep three months later with several rough prototypes of timo, toki, kāheru and kō in hand. This simple but powerful design project that weaves together te taiao and tamariki in a fun and engaging way.
Collette McCartney DINZ & Carin Wilson
Whangārei Māori Land Court
The Whangārei Māori Land Court is one of nine regional courtrooms of its kind throughout Aotearoa. The Ministry of Justice emphasised its desire for a place that would feel welcoming and calm while also respecting the cultural importance of the Court. The care taken in this design process is evident, creating a courthouse within an existing building that speaks to the whakapapa of tangata whenua of the rohe of Whangarei. Mahi toi design elements are successfully integrated in contemporary form, alongside traditional carving resulting in an uplifting space that reflects the Mana of the Court.
Anzac Tasker FDINZ, Jahmaine Cummings-Hodge, Jenny Simpson
Tiaki and the Guardians
As Aotearoa prepared to reopen its boarders to the world after a nationwide rāhui from our overseas manuhiri for over two years, Araraurangi (Air New Zealand) and Te Kāhui Tautiaki took a moment to breathe, to regather and to wānanga in depth on how best to welcome the world back to our shores under a cloak of tiakitanga and through a world view unique to this place. Shifting the mindset to proactively attract conscious travellers that align with our values, a decision was made to send a wero to the world, that Aotearoa has lifted its rāhui, and is ready to invite all those who share in our cherished spirit of manaakitanga. Since its release in May, the video has been viewed more than 27 million times around the world. Eclipsing all expectations and shining a light back on Aotearoa after difficult times for our nation’s tourism community.
Bella Martin DINZ
Ngā Mau Rākau o Atua Wāhine
Ngā Mau Rākau o Atua Wāhine serves to uplift Māori means of communication; oral history, pūrakau (narratives), whakairo (carving), and mau rākau (weaponry). What started as an exploration of the decolonised quickly became the re-Indigenising of design communication - the recentering of Māori methods. These pieces, designed to be CNC routed (a form of digital carving), showcase the pūrākau of the atua Mahuika, Hinenuitepō and Hineteiwaiwa. The taiaha, tewhatewha and pouwhenua designed for this project are weapons both physically and metaphorically. They are a thoughtful and well realised project exploring how our stories can live and be expanded using the technologies and skills we now have access to.
Kyani Utia DINZ, Sisi Panikoula DINZ, Jordan Tane DINZ & Gloria Falaniko
What makes me Plastic?
The negative term ‘plastic’ has come about mostly from young Māori and Pasifika who do not feel worthy, and this has led to even more young Māori and Pasifika being reluctant to identify with their culture. When the AUT students executed a questionnaire with over 200 young Māori and Pasifika, it was found that 68% of respondents felt they were ‘plastic’ which led them to believe that if their communities are to ever fix this divide within each culture, that the attitude and perspective of people needs to change. They found it difficult articulating the project in a way where others were able to understand it. This lack of understanding was a pivotal part of the development of their project which fundamentally led them to change from an educational tool to a confrontative campaign. ‘What makes me Plastic’ is bold and self-reflective. It acts as both a question and a statement.
Designers of Wellington, this is an open invite to all designers in Wellington, to come together for a relaxed drink and a yarn.
We call it... Designer Yarns.
We'll talk design, geek out and have a laugh – this Thursday 27th July - venue TBC (we will switch up venues for Designer Yarns as we want to keep fresh).
Great design can flow both ways across the ditch. Designers Speak® — Across the Ditch is a collaborative event of the Australian Graphic Design Association (AGDA); Design Institute of Australia (DIA) and Designers Institute of New Zealand.
Watch this space for more details.
Roll up! Roll up! Come and be counted among the best.
This year’s ‘Bestival’ campaign by Strategy Creative is a visual feast.
It’s a little weird. It’s a lot of wizardry. It brings together the celebrations and tribulations of the design world with the fun and wonder of carnivals.
It’s the real deal, crafted by hand and brought to life through stop motion.
Here to make you laugh, make you gasp, and make your day a little bit more fun.
So go on. Enter if you dare.
Campaign studio 2023 – @strategycreative
Enter Disciplines and Categories
Explaining Your Work - The Backstory: The Why / The Purpose
Feedback from the judges consistantly references the importance of good writing / copy to help understand a project better.
The judges recommend there be more context into the clients backstory - The Why / The Purpose for the project.
What did the client see as the challenge, what data, research or insight did they have that brought about the project.
This is not to say we want a novel.
Questions Around Keeping Your Work Anonymous
It is prefered that the name of the entrant/studio/company is not visible anywhere on the project images, explanation or supporting material.
However this isn't always practical, please use your discretion and common sense.
Designers of Wellington, the drinks are on us!
This is an open invite to all designers in Wellington, to come together for a relaxed drink and a yarn.
We call it... Designer Yarns.
We'll talk design, geek out and have a laugh – this Thursday 19th October upstairs at Fortune Favours, Leeds St, Wellington.
The first round is on DINZ. Simple as that, see you there!
The lead up to our most prestigious night of the year is the ideal time to bring the design community together to reflect and connect. During Best Week we hold a series of events that build towards the industry's big night out at the Best Design Awards.
Best Design Awards 2021 - Neighbourhood Host - Three Sixty Architecture
Best Design Awards 2021 - Neighbourhood Host - EdwardsWhite Architects
Best Design Awards 2021 - Neighbourhood Host - Motion Sickness
Best Design Awards 2021 - Student Host - Media Design School
Best Design Awards 2021 - Student Host - Massey University College of Creative Arts
The more we talk about design in New Zealand, the more robust the conversation becomes. Our Designers Speak events give our members the chance to hear top designers sharing insights into their work.
Best of the Best Designers Speak® - Christchurch - supported by Resene
DINZ Student Council Designers Speak®️ at Media Design School - Digital
Best of the Best Designers Speak® Auckland3 - Product & Value of Design
Best of the Best Designers Speak® Auckland1 - Graphics, Digital & Motion
Best of the Best Designers Speak® Wellington - supported by Resene
Best of the Best Designers Speak® Christchurch - supported by Resene
Best of the Best Designers Speak® Auckland4 - Toitanga - supported by Resene
Best of the Best Designers Speak® Auckland3 - Spatial - supported by Resene
Best of the Best Designers Speak® Christchurch - supported by Resene
Designers Speak® Black Pin - Liz and Neville Findlay, Zambesi
Best of the Best Designers Speak® Auckland3 — Boutique Awards
Designers Speak® at Massey — Aaron McKirdy DINZ, Chrometoaster
Designers Speak® - a conversation between Peter Haythornthwaite FDINZ , ONZM and Michael Barrett
Designers Speak® at Victoria — Simon Hardy, Studio Pacific Architecture
Designers Speak® — Danny Coster: Exploring the Tapestry of Creativity
Great design can flow both ways across the ditch. This event encourages that trans-Tasman design dialogue, and is a collaboration between the Australian Graphic Design Association (AGDA) and DINZ.
Dulux DIAlogue on Tour is a Study Scholarship, brought to you by Dulux, The Designers Institute of New Zealand (DINZ) and the Design Institute of Australia (DIA).
Supported by design schools and studios, Folio Night is an initiative from the DINZ Student Council. Each event is a prestigious opportunity for nominated students to present their work for discussion and critique.
DINZ Student Council Folio Night at Clemenger BBDO with Massey
DINZ Student Council Folio Night at Fearon Hay Architects with the University of Auckland
DINZ Student Council Folio Night at Fisher & Paykel Appliances with AUT
Folio Night at Clemenger BBDO with Massey University, College of Creative Arts
Folio Night at Inhouse Design with Whitecliffe College of Arts and Design
Folio Night at Warren and Mahoney Architects with University of Auckland
Folio Night at Jasmax with Auckland University of Technology
Folio Night at Fisher & Paykel Appliances with Auckland University of Technology
Folio Night at Designworks with Auckland University of Technology
Folio Night at Chrometoaster with Massey University, College of Creative Arts
Folio Night at Material Creative with Auckland University of Technology
Folio Night at Space Studio with Auckland University of Technology
Folio Night at Colenso BBDO with Auckland University of Technology
Good design can transcend geography’s barriers. And many inquisitive and ambitious New Zealand designers have made the brave and uncertain move of shifting overseas. At No Borders, they return home to share what they have learned.
We all have a natural curiosity about the spaces in which designers create. Open Studio offers a rare opportunity to enter these private worlds, and see the inner workings of some of New Zealand's best studios.
Hamilton Design Series — Open Studio™ at Edwards White Architects
With digital technology, design is in a state of constant change. This event series gives designers a forum to discuss how this impacts on their innovation process; how they push ideas from the abstract into the real; and on how quickly they bring products to market.
This series of informal events is primarily a forum for spatial designers to meet and share insights. A broad range of relevant topics are presented and discussed including useful tools and tips, the latest design trends and best industry practice.
The Form Forum® - Manaaki - Bossley Architects & Cheshire Architects
The Form Forum® - Manaaki - Space Studio & Material Creative
This series of informal events is primarily a forum for graphic designers to meet and share insights. A broad range of relevant topics are presented and discussed including useful tools and tips, the latest design trends and best industry practice.
The Graphics Forum — Getting the Best from Photography — Christchurch
The Graphics Forum — Getting the Best from Photography — Auckland
This series of informal events is primarily a forum for product designers to meet and share insights. A broad range of relevant topics are presented and discussed including useful tools and tips, the latest design trends and best industry practice.
Resene Webinar - Timber – The Protection of Wood with Coatings
Resene Webinar - Exterior Steel - Atmospheric Corrosion & Achieving Durability
Exhibition Open — Olafur Eliasson: The cubic structural evolution project
Jacob van Rijs: Architectual Inspirations — Auckland & Christchurch
Exhibition Open — Olafur Eliasson: The cubic structural evolution project
Design Law — Christchurch, Getting Paid & Keeping Your Shirt
Dale Herigstad — Evolution of the Screen in Media: A Post-Screen Future